Professional singing lessons are a must for even the most highly gifted individuals. Singing lessons can get miraculous results as it provides the training to take your raw voice and make it into something that is nothing less than magical. Quality singing lessons are guaranteed to take your voice to the next level, no matter what your current level of ability is, from absolute beginner to touring pro. This is the biggest reason why some online singing programs have become a must for the singer who aspires to be great.
You can now receive top notch singing lessons on DVD, CD, phone and Skype. Your dream as a singer can now be fulfilled with professional voice lessons, right in the privacy of your own home or car. Most lessons come with a 100% money back guarantee. You now have an opportunity to receive the training and coaching enjoyed by the greats.
With consistent practice, your vocal range and stamina will progress nicely. You will learn strengthening exercises that help expand your range and increase your power, control and endurance. You will learn how to sing with a strong, clear, supple and flexible voice over a range that you never dreamed possible.
As some top notch vocal instructors command as much as $300 per hour, you can get an entire vocal program for less than that one hour of instruction. What a value. The great thing as you will always have the CDs and DVDs to keep your voice in shape. There are some great and even similar programs out there. After investigating many popular singing programs, I purchased Brett Manning’s “Mastering the Mix.” Master the Mix concentrates greatly on developing your mix voice, but also greatly expands your entire vocal range. The Singing Success program is the flagship of Brett Manning’s vocal instruction. I am very extremely happy with the training and would suggest it to anyone who aspires to take their singing voice to the next level. Get your copy of one of Brett’s Singing Programs today at: http://www.ronnvocalronn.homestead.om
Wednesday, April 7, 2010
The Larynx and Singing
The LARYNX is an apparatus made up of cartilage, ligaments, muscles and mucous membrane, which guards the entrance to the lower respiratory passages (trachea, bronchi, and lungs) and houses the vocal cords. The larynx is shaped like a tube and is 4 and one half inches long. During swallowing, the backward motion of the tongue forces the epiglottis over the glottis' opening to prevent swallowed material from entering the larynx which leads to the lungs; the larynx is also pulled upwards to assist this process. Fine manipulation of the larynx is used to generate a source sound with a particular fundamental frequency, or pitch.
The muscular walls of the pharynx are comprised of an outer layer made up of 3 circularly disposed muscles, the constrictors. Below and behind the larynx is the esophagus. First, the larynx is raised, along with the pharynx, by the contraction of the longitudinal muscles of the pharynx. The Laryngeal Muscle’s major function of the larynx is to keep the air way open. The first space in the larynx is called the vestibule, which extends down to the vestibular fold (false vocal cord).
The larynx, which is also known as the “voice box,” houses the vocal folds, which are an essential component of phonation. The vocal folds are situated just below where the tract of the pharynx splits into the trachea and the esophagus. The source sound is altered as it travels through the vocal tract, configured differently based on the position of the tongue, lips, mouth, and pharynx. The process of altering a source sound as it passes through the filter of the vocal tract creates the many different vowels and consonant sounds of the world's languages as well as tone, certain realizations of stress and other types of linguistic prosody. The vocal folds can be held close together (by adducting the arytenoid cartilages), so that they vibrate. In most males the vocal cords are longer and with a greater mass, producing a deeper pitch.
For a singer, understanding the anatomy and mechanics of the larynx is very important. Understanding that there are interior muscles of the larynx that help us sing and exterior muscles of the larynx that hamper our singing is vital knowledge for any singer. There is fantastic vocal training that will help you get the most out of your voice while controlling your larynx. Go the Singing Success and reach your singing potential. Click here: http://www.ronnvocalronn.homestead.com
The muscular walls of the pharynx are comprised of an outer layer made up of 3 circularly disposed muscles, the constrictors. Below and behind the larynx is the esophagus. First, the larynx is raised, along with the pharynx, by the contraction of the longitudinal muscles of the pharynx. The Laryngeal Muscle’s major function of the larynx is to keep the air way open. The first space in the larynx is called the vestibule, which extends down to the vestibular fold (false vocal cord).
The larynx, which is also known as the “voice box,” houses the vocal folds, which are an essential component of phonation. The vocal folds are situated just below where the tract of the pharynx splits into the trachea and the esophagus. The source sound is altered as it travels through the vocal tract, configured differently based on the position of the tongue, lips, mouth, and pharynx. The process of altering a source sound as it passes through the filter of the vocal tract creates the many different vowels and consonant sounds of the world's languages as well as tone, certain realizations of stress and other types of linguistic prosody. The vocal folds can be held close together (by adducting the arytenoid cartilages), so that they vibrate. In most males the vocal cords are longer and with a greater mass, producing a deeper pitch.
For a singer, understanding the anatomy and mechanics of the larynx is very important. Understanding that there are interior muscles of the larynx that help us sing and exterior muscles of the larynx that hamper our singing is vital knowledge for any singer. There is fantastic vocal training that will help you get the most out of your voice while controlling your larynx. Go the Singing Success and reach your singing potential. Click here: http://www.ronnvocalronn.homestead.com
Tuesday, April 6, 2010
Why is it important to develop your Mix Voice?
Why is important to develop your mix voice? The mix is the commercial part of your vocal range. The money notes. Mixed voice allows singers to have a large voice range and the power needed to perform on stage. Mixed voice is a combination of head voice and chest voice and is a strong, yet subtle approach to singing that uses good techniques, including proper vocal chord closure and a neutral larynx position. The "mixed voice" is the best of both worlds, which is why so many top Grammy winners sing in this mixed voice vocal register.
The "mixed voice" is much thicker than pure head voice, but has more head resonance than a barrel chest voice. If you do the proper vocal exercises that strengthen your mix, you can improve your vocal range quickly and easily. Your mixed voice is a vocal range where you can sing rich high notes. The fantastic bonus is that once you develop your mix, you will sing higher and with more free flowing resonance, without strain. What a feeling.
The simple truth is that the greater your vocal range, the more exciting and confident you will be as a singer. I don’t know how many times I composed a song where the best choice of melody was above a G and thus a strain on my voice. My lack of range and absence of mix voice truly hampered my songwriting. But, now I am a better singer and better song writer.
When you develop your mix voice you will have but one continuous voice from bottom to top. You will learn to shift gears at the bridges in your range at just the right time. Just as you would not drive your car with the accelerator depressed to the floor without shifting out of first gear, you need to shift gears in your voice as well. There are many quality exercises that help train and trick the voice into a new habit of seamless singing. Mix lessons focus on blending the registers and lengthening the vocal range. .
I’ve previewed many vocal training programs. I even attended a vocal school in Hollywood back in the early 1980’s that specifically advertised the teaching of the mix. But, it wasn’t until recently that I discovered The Program of all Vocal Training Programs. It has made a difference in my singing voice. If you are serious about reaching your potential as a singer, grab a copy of Brett Manning’s “Singing Success” and/or Mastering the Mix.” You can change your singing voice at http://www.ronnvocalronn.homestead.com
The "mixed voice" is much thicker than pure head voice, but has more head resonance than a barrel chest voice. If you do the proper vocal exercises that strengthen your mix, you can improve your vocal range quickly and easily. Your mixed voice is a vocal range where you can sing rich high notes. The fantastic bonus is that once you develop your mix, you will sing higher and with more free flowing resonance, without strain. What a feeling.
The simple truth is that the greater your vocal range, the more exciting and confident you will be as a singer. I don’t know how many times I composed a song where the best choice of melody was above a G and thus a strain on my voice. My lack of range and absence of mix voice truly hampered my songwriting. But, now I am a better singer and better song writer.
When you develop your mix voice you will have but one continuous voice from bottom to top. You will learn to shift gears at the bridges in your range at just the right time. Just as you would not drive your car with the accelerator depressed to the floor without shifting out of first gear, you need to shift gears in your voice as well. There are many quality exercises that help train and trick the voice into a new habit of seamless singing. Mix lessons focus on blending the registers and lengthening the vocal range. .
I’ve previewed many vocal training programs. I even attended a vocal school in Hollywood back in the early 1980’s that specifically advertised the teaching of the mix. But, it wasn’t until recently that I discovered The Program of all Vocal Training Programs. It has made a difference in my singing voice. If you are serious about reaching your potential as a singer, grab a copy of Brett Manning’s “Singing Success” and/or Mastering the Mix.” You can change your singing voice at http://www.ronnvocalronn.homestead.com
Sunday, April 4, 2010
How to Sing with a Neutral Larynx
Keeping your larynx neutral when singing is one of the most important things you can do. For most people, the resting position of the larynx is its neutral position. To find your larynx, simply follow these steps: put your finger just under your chin, slide down until you feel the heart shaped protrusion. This is your larynx, also known as your “voice box.” The larynx houses your vocal chords/vocal folds. Unfortunately, as many of us attempt to sing higher, our larynx rises because it falsely gives the “feeling” that in order to ascend the scale, we must reach higher with our neck, chin and larynx. When your larynx rises, it constricts the vocal cords and cuts off a lot of resonance space for your sound.
I would say that a rising larynx is the most common cause of tension when people try to sing high notes. For most people, the resting position of the larynx is its neutral position. The position of the larynx can either make or break the singer. As you yawn, feel as your larynx drops to its lowest position in the throat. This is the most relaxed position for the larynx and provides a lot of freedom for your vocal cords.
There are excellent exercises that help keep your larynx neutral. Be sure to place your finger on top of your Adam’s apple when doing these exercises in order to monitor your larynx position. If your larynx continually stays high, you’ll feel strained and constricted, so it is important to perform exercises that will keep your larynx low.
Keeping your larynx neutral does require training so, try running through scales doing exercises like "buh buh buh" or "guh guh guh" or "mum mum mum" or "gug gug gug". With time and training, you will be able to keep your larynx in a neutral position. Because the inner muscles of the larynx and throat are designed to regulate things such as air flow and cord closure, training these muscles will inevitably "teach" you how to sing more easily and freely.
Learning to keep your larynx in a low or neutral position is vital in reaching your singing potential. This is one of the keys to expanded range, tonal quality and even correct pitch. The best singing method that I’ve discovered is Brett Manning’s Singing Success. Discover your singing potential by clicking here: http://www.ronnvocalronn.homestead.com
I would say that a rising larynx is the most common cause of tension when people try to sing high notes. For most people, the resting position of the larynx is its neutral position. The position of the larynx can either make or break the singer. As you yawn, feel as your larynx drops to its lowest position in the throat. This is the most relaxed position for the larynx and provides a lot of freedom for your vocal cords.
There are excellent exercises that help keep your larynx neutral. Be sure to place your finger on top of your Adam’s apple when doing these exercises in order to monitor your larynx position. If your larynx continually stays high, you’ll feel strained and constricted, so it is important to perform exercises that will keep your larynx low.
Keeping your larynx neutral does require training so, try running through scales doing exercises like "buh buh buh" or "guh guh guh" or "mum mum mum" or "gug gug gug". With time and training, you will be able to keep your larynx in a neutral position. Because the inner muscles of the larynx and throat are designed to regulate things such as air flow and cord closure, training these muscles will inevitably "teach" you how to sing more easily and freely.
Learning to keep your larynx in a low or neutral position is vital in reaching your singing potential. This is one of the keys to expanded range, tonal quality and even correct pitch. The best singing method that I’ve discovered is Brett Manning’s Singing Success. Discover your singing potential by clicking here: http://www.ronnvocalronn.homestead.com
How To Sing High Notes
The question of how to sing high notes is one of the questions most asked by amateur and even professional singers. It is a skill that eludes many good singers. Many continually strain their voice as they try to push their chest voice harder and harder while in pursuit of those extra few notes. Is this you? What is not realized is that this technique or lack there of, is more likely to reduce their range than increase it. The key to signing high notes, thus expanding your range is in developing your mix.
The mix or mixture voice is the part of your range where you find the connecting notes of your chest voice and head voice. You know, that area of your voice where your vocal chords seem to just flap open into a breathy falsetto as if you were practicing your yodeling skills. Fortunately, through proper exercises and practice, you can strengthen the appropriate support muscles along with learning to relax your larynx into a perpetual neutral position. This will allow you to sing through your bridge, connecting your chest voice and head voice.
Unnecessary application of force on your throat, while trying to sing high notes is the reason for the fatigue and stress that you may have feel. You are incorporating the muscles around your larynx (voice box) that are designed to move your larynx out of the way when you swallow. If you put your hand on your larynx and swallow; you will notice that your larynx shoots up under your chin and thus cuts of the flow of air and sound. That is simply counter productive to a full and flowing vocal range. You will find it difficult if not impossible to reach your vocal range potential if you consistently sing with a high larynx position.
There are special vocal training exercises that train and even trick the voice into bridging the gap between the registers. Instead of keeping the pedal down as you ascend in your vocal register, you must learn to shift gears, making it all quite easy as you are able to relax your throat, jaw and of course, vocal chords. After you learn to incorporate this mix of chest and head, it is just a matter of thickening and giving presence to this bridged area of your vocal register.
Music is one of life's most beautiful things and being able to express yourself with your voice, without limitation, is a dream for many. I started singing professionally over thirty years ago and after a ten year hiatus, I found that I could come back and actually improve from where I had been years before. I had many instructors and thousands of hours of live performance experience, so I was very skeptical when choosing a new vocal program. Even after starting a vocal program, I continued to openly search for any helpful tip. What I found is that I had indeed found the zenith of vocal programs from the countries top vocal teacher. To discover your vocal potential, click here and start making your dream a reality. http://www.ronnvocalronn.homestead.com
The mix or mixture voice is the part of your range where you find the connecting notes of your chest voice and head voice. You know, that area of your voice where your vocal chords seem to just flap open into a breathy falsetto as if you were practicing your yodeling skills. Fortunately, through proper exercises and practice, you can strengthen the appropriate support muscles along with learning to relax your larynx into a perpetual neutral position. This will allow you to sing through your bridge, connecting your chest voice and head voice.
Unnecessary application of force on your throat, while trying to sing high notes is the reason for the fatigue and stress that you may have feel. You are incorporating the muscles around your larynx (voice box) that are designed to move your larynx out of the way when you swallow. If you put your hand on your larynx and swallow; you will notice that your larynx shoots up under your chin and thus cuts of the flow of air and sound. That is simply counter productive to a full and flowing vocal range. You will find it difficult if not impossible to reach your vocal range potential if you consistently sing with a high larynx position.
There are special vocal training exercises that train and even trick the voice into bridging the gap between the registers. Instead of keeping the pedal down as you ascend in your vocal register, you must learn to shift gears, making it all quite easy as you are able to relax your throat, jaw and of course, vocal chords. After you learn to incorporate this mix of chest and head, it is just a matter of thickening and giving presence to this bridged area of your vocal register.
Music is one of life's most beautiful things and being able to express yourself with your voice, without limitation, is a dream for many. I started singing professionally over thirty years ago and after a ten year hiatus, I found that I could come back and actually improve from where I had been years before. I had many instructors and thousands of hours of live performance experience, so I was very skeptical when choosing a new vocal program. Even after starting a vocal program, I continued to openly search for any helpful tip. What I found is that I had indeed found the zenith of vocal programs from the countries top vocal teacher. To discover your vocal potential, click here and start making your dream a reality. http://www.ronnvocalronn.homestead.com
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